![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4RVn3ZSD198NFvgQCpU3tnA3qppRb4RrMl5HMNsgdRmuHyUgFT0Zu0czloPzc_CAcRqJFv87cPw85LB8kYichj6KfE-Z0T4Iyz9NiEFhsPEdczhxCwCBvUrTeUKq4ajYxICMabdDY5xQ/s400/P3140696_Blue.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5tz2f8znB8DaeOjCtD0QotezHp0QvWw9XjDxNNlsJwPkB8L_T4gZex-UjukDwwv3ovQ9MX4_5QWlPP9R90TfvpdyXpepZbcxJj5Cp4NaiUAq7FCNxXsOS2MrD-puGx55mKuN3PCINe2g/s400/P3140580.jpg)
The Heads At Last, is a colaboration with Simon Price from the band. This was a very strange sleeve on first viewing and the vinyl in particular. The first time I laid eyes on it it was dark and under house light I was disappointed to see the women in the centre appeared as a negative state, I questioned that I had got the wrong tones around the wrong way.
Then in daylight, I realised I had not as the women in the centre appeared in positive, it was just a simple trick of the eye with what can only be described as I used 2 of the most clashing colours to the eye. A great way to make a flat sleeve vibrate an other 60's trick of optical art.
The LP on Rocket Recordings, came as a rare limited Blue & white and red & white sleeve that were given to the band only, the rest were as standard Red & blue.
Expect some posters of these in the future, but with a twist.
Expect some posters of these in the future, but with a twist.
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